Tuesday, August 19, 2014
Lakehouse Diary V
Writing this on the program for the symphony performance because I am so very early. I heard music as I was approaching the amphitheater and thought I had mistaken the time. But just warming up and delightfully discordant. The orchestra is wearing white. The Glossary to my left says Adagio. Allegro. I think there were more people here yesterday but maybe it's early days yet. The lecture went well. Heard that it was useful, rapid-fire (good, good). People laughed in the right places. My lecture/reading person is not the same me nor is my workshop person.
I think I finally managed to relax this evening before walking over here. I sat out on the balcony and read an entertaining, light-hearted book on Kindle. Usually my time is too carved up/allotted so that here long stretches of the day just confuse me. Maybe I can write for a set time for the next three days though I still have the workshop plus prep and the individual conferences plus prep. Molto. Piu. Sostenuto. What about what I began in class today? Object study of the patio's awning? Maybe make that sense of being a possession or attachment a part of the poem. Must be careful not to step on Mary's poem's toes. Many people with pillows. I can always sit on my jacket. Forte. Cadenza. I wonder if this robust rattle makes them more perfectly in time when the official music begins. Much fuller now.
Excerpt from my lecture--"Beginnings, Endings, Titles, and White Space":
A title is a convenience, an aid, an arrestment. If a poem has a title, the reader feels he has a handle on things, an orientation. And maybe that helps him enter the unfamiliar territory of otherness, the exotic, the dangerous, the sensory. So first, the title can make the poem approachable. OK. As the reader I know where we’re going, even if that turns out to be a complete illusion.
A title has many possible uses which is why I can never understand why people want to say “untitled” or “Poem #732.” Why throw away an opportunity?