- Streamline. How to say something more clearly.
- More humor. Jazzy titles
- How can the reader know what you know? Readers respond to image, narrative, the unexpected, a different point of view.
- Abandon centering. Think about using stanzas/space to create clearer meaning.
- Rhyme is doing you no favor.
- OK. I like all this where the familiar tale is being mixed with other things and given new particulars. But then in last two lines back to usual--why?
- Too pretty sounding?
- I like this incremental repetition but I want more. Push harder.
- Combination of two things can increase interest, effectiveness.
- Read aloud for rhythm, clarity, necessity.
- What I want most is for you to experiment with not centering--will change feeling of lines.
- Cutting always good.
- Language--what is the ratio of complexity to clarity. Think about necessity. Deliberately making it more difficult and I can be fine with that if it has a purpose--re-seeing?
- Maybe un-sentencing would help.
- This sounds funny.
- A little falling off towards the end where earlier there's all this great, various stuff. Think about order.
- Think about line breaks to shake up usual way of reading and emphasizing words.
- Doesn't hang together in interesting or directive way like what follows.
- Not clear to me why this enters the poem.
- This is a great quote but it seems sassier than the poem itself.
- Think about order--clusters of idea/messages.
- Why so many commas?
Wednesday, December 10, 2014
Notes on Student Poems
Labels:
critique,
revision,
student poems
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I love "too pretty sounding." But you know how I feel about commas!
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