Wednesday, February 25, 2015

Why Did I Do It?

This past week I've written a poem in a strange form. It started out regular in a block of prose text, but then I decided to separate the phrasing into thumbnails in columns in a grid of white space. First, it was 3 columns, then 4. I played around with the question of how many thumbnails there should be. I had 15--should I have only 14 because that's the magic number for a small poem--calling all Shakespeares, calling all Petrarchs. But I think I've discussed my love/hate relationship with this idea before.

I had begun this strange shaping as a result of several subconscious influences, two of which I can identify. The first was a series of  Story Trope Bingo cards on Book Riot which offer plot points like "Dark Past" and "Someone Vomits."  The other influence was a picture I saw online of an art installation consisting of dozens of photos overlapping and ruffled like plumage, stuttering out an image. But for this particular poem, I settled on a grid from my past--the sliding tile puzzle, where disordered tiles are pushed around to spell a phrase. You could use your thumbs just like texting.

Should this kind of poem be subject or approach specific, if I considered a series? Should the title have 4 parts (like the 4 columns)? Is there any kind of suggestion in the poem that the parts really could be pushed around? Although the puzzles were only solved to 1 order as far as I know. But if we are not at least thinking about disorder, what is the point?

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